Monthly Archives: November 2014

Nadie comprendía el perfume de la oscura magnolia de tu vientre. Nadie sabía que martirizabas un colibrí de amor entre los dientes. Mil caballitos persas se dormían en la plaza con luna de tu frente, mientras que yo enlazaba cuatro … Continue reading →

0:37 to 0:39

and ‘misbehaving’… Christine in The Girlfriend Experience, Alex in Fatal Attraction, la chica de Stockholm, la novia de Relatos Salvajes, Gone Girl. Vistos como personajes incómodos, por no decir psicópatas. Against passivity and resignation as a virtue. Again, Kraus: “Because I’m moved in … Continue reading →

No voy a hacer crítica del libro ni voy a decir, ni estudiar, lo que significa como forma de romance, ni a mostrar la mecánica de sus imágenes, ni el gráfico de su desarrollo rítmico y fonético, sino que voy … Continue reading →

It states that at least two mutually exclusive systems of description should be used in describing any micro-phenomena (in his case wave and particle duality) to capture its wholeness.

2. Albertine’s name occurs 2363 times in Proust’s novel, more than any other character. 3. Albertine herself is present or mentioned on 807 pages of Proust’s novel. 4. On a good 19 per cent of these pages she is asleep. … Continue reading →

Maclntyre, and to some extent Ricoeur, believe that modern culture has lost its way because it has unwisely succumbed to theoretical trends that valorize relativism, transience, and fragmentation, or, in other words, because it has radicalized selfhood at the expense of sameness. … Continue reading →

A palimpsest /ˈpælɪmpsɛst/ is a manuscript page, either from a scroll or a book, from which the text has been either scraped or washed off so that the page can be reused, for another document.

is a thing in the present tense. And the present is always confusing.